‘The Dress’ might just epitomise the notion that things aren’t always what they seem – especially in Melbourne at the end of the 19th century.
While widow Hannah may live in a grand mansion and not want for anything, loneliness is an unspoken curse.
For her flamboyant tailor Bertin, the advent of department stores and retail therapy is a hit to the pocket and prominence alike.
Essence Theatre Productions chairperson Alaine Beek, who wrote the play, quite literally puts herself in Hannah’s shoes by playing the character herself.
“In those days when you were a widow, you were often just given tenancy and you didn’t really own much,” Ms Beek said.
“We presume wealthy people had this happy, exciting life, but it wasn’t necessarily the case.
“Women had very limited power, and it could actually be quite boring.”
Hannah loves Bertin for the light he brings to her overcast life, but his escapades are something she desperately tries to evade.
The dynamic duo will embark on a tale of insistence and resistance when he tries to drag her along to a masquerade ball, where he will try and showcase his work.
On top of facing the loss of his livelihood, Bertin must also walk a fine line as a gay man in a society that can be both ambivalent and persecutory.
“Bertin’s sexuality– it’s revered, but it’s never spoken about, but if he gets in the wrong circle he could be in trouble,” Ms Beek said.
The show will be staged at Werribee Park Mansion on Friday, May 9 at 8pm.
Tickets: www.essencetheatre.productions/the-dress-booking-page
